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Superb Skill at Work in the Concrete Studio |
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 Garden Bench Wall Pieces The Temple Concrete Studio continues work at a very busy pace thru the winter months so that finished architectural components will be ready for installation in the upcoming construction season. The craftsmen are casting garden bench-wall components, reflecting pool coping stones and garden crescent steps. In addition, the Studio crew is rearranging the factory in order to begin producing one thousand large monumental stairs and six thousand pavers that will encircle the House of Worship.
The pavers and the ornamental concrete components in the gardens weigh less than 400 pounds. The heaviest monumental step is 1,900 pounds. That weight difference requires that the Temple Concrete Studio set up two production lines. One line is equipped with concrete mixers, shaker tables, conveyors and overhead cranes to handle smaller concrete pieces such as the garden components and the pavers. A second production line provides capacity for monumental steps and large wall cladding components.
This second line has a very large concrete mixer, one ton overhead
cranes, large hoppers, vacuum lifters and tilt tables to manipulate the
more massive concrete units. To help initiate the production of large
monumental steps, the crew in the Temple Concrete Studio will have
Quality Restoration’s master craftsmen join them in the Studio. Quality
Restoration is the concrete restoration contractor that has performed
the award winning repairs on the House of Worship during the last 20
years. Quality’s team will train the Studio crew in the special
techniques required for the larger precast concrete units. When the
weather warms up in the spring, Quality’s craftsmen will return to
construction activity at the Temple site while the Studio crew
continues with production of both the monumental stairs and the smaller
pavers. Erik Nelson, the master carpenter in the Baha’i National
Properties Department worked at the Studio for five weeks building
molds for casting the monumental steps.
Erik explained that he was a little nervous when he started
at the Studio because the molds for the Temple are curved, contain
unusual angles and must be exact within one thirty-second of an inch.
He said that for wood construction the carpenters often joke and say
their measurements do not have to be perfect because “they are not
building it in concrete.” But Erik’s superb skill was clearly
demonstrated when he and the precast concrete engineer checked Erik’s
mold templates on the House of Worship building and everything matched
perfectly.
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